You become an entertainment lawyer the way you become any lawyer: BLS's summary is that lawyers typically need a law degree and a state license, which usually requires passing a bar examination, and the specialty is built on top of that baseline.
The work people mean by the title is deal work — negotiating and drafting the agreements behind music, film, television and similar projects for talent, studios, labels and the companies around them.
Here is what the job involves, who hires, what background helps, and how lawyers break in.
What does an entertainment lawyer do?
Entertainment law is a subject area rather than a separately licensed specialty — none of the sources behind this page describes a separate entertainment-law license.
It is the same law degree and state license described in the wider attorney careers landscape, applied to the contracts and rights behind creative work.
Our types of lawyers guide counts it among the further named fields — health care, environmental, privacy and data, entertainment and sports, elder law — each the same pattern: a subject area layered on top of the litigation-vs-transactional and employer axes.
The work people mean by entertainment lawyer is deal work: negotiating and drafting the agreements a music, film, television or similar project runs on.
Those are the contracts between artists, writers, performers and producers and the labels, studios, networks, publishers and production companies that finance and distribute the work, plus the licensing arrangements that carry a finished project between platforms and markets.
In music the same job also travels under the name music lawyer — the label matters less than the substance, which is contracts, rights and deal terms.
Disputes are part of the picture too, because deals that break down end up argued over; the balance between the deal table and the courtroom is a feature of the seat, not of the field's title.
One honesty note before the rest of this page: the datasets behind it — BLS's occupational data, NALP's graduate outcomes, the ABA's lawyer population counts — measure lawyers as an occupation.
BLS does not break the profession out by practice area, so every figure below describes lawyers overall rather than entertainment specialists, and nothing in the sources measures how the field splits between deal work and disputes.
If you are still deciding between fields, our choosing a practice area guide walks that decision; the rest of this page assumes you have picked this one.
Who hires entertainment lawyers? Firms, government, in-house and nonprofits
Start with the caveat the data imposes: BLS counts employers for lawyers as a whole, not by practice area.
In 2025 the largest employers of lawyers were legal services (52%), self-employed lawyers (11%), local government (8%), state government (7%) and federal government (5%) — and BLS publishes no entertainment-only version of that table.
What follows is the employer structure the sources do measure, with the specialty-specific gaps said plainly.
Law firms are where new graduates land: 60.9% of employed Class of 2025 graduates took private-practice jobs, the highest share since the Class of 1990.
Firms of more than 500 lawyers are the single largest employer of new law graduates, taking more than one in five employed Class of 2025 graduates — and counting 251–500-lawyer firms, about one in four started in a large firm.
Across all Class of 2025 law-firm jobs, firms of 501+ lawyers accounted for 33.2% and firms of 1–10 lawyers for 26.4%.
Both ends of that range matter to a specialty search: large firms and small practices are both documented first destinations in the data.
These counts describe all new graduates, not entertainment hires specifically.
In-house legal departments show up in NALP's business-sector data: among Class of 2024 graduates in business-sector jobs, in-house lawyer was the most common job type at 22.6% of business jobs — though only 32.6% of those business-sector jobs required bar admission, a reminder that some legal-adjacent corporate roles sit outside licensed practice.
The business-sector figures behind this page are not broken out by industry, so they cannot say how many of those seats sat at studios, labels or networks.
Government and nonprofits: NALP counted public service — government, judicial clerkships and public interest — at 31.0% of Class of 2025 jobs, split government 12.0%, public interest 9.0% and judicial clerkships 10.0%.
None of those categories isolates entertainment-adjacent public-sector work, and none of the sources behind this page documents an entertainment-specific government legal office.
The federal mechanics the research does document are general ones: federal attorney jobs sit in the GS-0905 General Attorney series and are filled outside the competitive-service examining process as Schedule A excepted-service appointments.
For the nonprofit segment of the market, see our public interest law guide.
What background and courses help entertainment lawyers?
The baseline is the lawyer baseline.
BLS lists the typical entry-level education for lawyers as a doctoral or professional degree, and its licensing summary is that lawyers typically need a law degree and a state license, which usually requires passing a bar examination.
Entertainment practice is built on that license like any other specialty — no separately named entertainment-law credential appears in the licensing requirements the sources behind this page describe.
The comparison BLS itself draws is patent law: BLS notes patent lawyers typically need a science or engineering background and must pass a USPTO-administered exam.
BLS's lawyer profile draws no equivalent link for entertainment practice.
What the sources also do not do is measure how much any particular degree or coursework matters to entertainment employers — our research found no data quantifying that, so read the postings for the employers you actually want rather than any general claim about backgrounds.
What a law-school record can control is the raw material the work runs on: contracts, intellectual property and the business structures deals are signed under.
Course and activity choices that build that raw material are the levers you hold before anyone will let you near a deal.
- Electives your school offers in contracts, intellectual property, copyright and business or corporate law
- A clinic or practicum with live client work you can name in interviews
- Journal, moot court or negotiation-competition participation
- Summer positions in the offices you're targeting — BLS notes a successful summer job or internship may result in an employment offer after graduation
Licensing is set jurisdiction by jurisdiction
How do lawyers break into the field?
The entry levers the sources document are general rather than specialty-specific, because no entertainment-specific entry data exists in the research behind this page.
BLS notes a successful summer job or internship during law school may result in an employment offer after graduation, and that judicial clerkships are typically 1- or 2-year terms some graduates take before working as a lawyer.
Both run through someone else's office first — which is the pattern the rest of this section follows.
Calibrate the solo route carefully: only 174 Class of 2024 graduates started as solo practitioners, 0.8% of law firm jobs, so graduating straight into an independent practice is the exception in the data, not a plan to bank on.
The firm market described in the employer section above is the documented first destination.
Geography compounds all of it.
65.6% of employed Class of 2025 graduates worked in the same state where they attended law school, so where you study shapes which market you can realistically reach.
The ABA's 2025 counts of active lawyers put New York at 190,015 and California at 181,048 — the two largest state lawyer populations.
No source behind this page measures where entertainment work concentrates by city or region, so treat any list of industry markets — Los Angeles, New York, Nashville or otherwise — as reputation rather than measurement.
The practical translation: whichever state holds the market you want, the school, the clinic and the summer job you choose are geography decisions as much as credential decisions.
Job market and demand
BLS publishes no count of entertainment lawyers: it tracks the lawyer occupation as a whole and does not break employment out by practice area.
Any precise "number of entertainment lawyers" or "entertainment lawyer growth rate" figure you encounter therefore came from someone other than BLS — treat it accordingly.
What the primary sources do measure is the profession.
Lawyers held about 863,700 jobs in 2025.
BLS projects 5% employment growth from 2025 to 2035, faster than the average for all occupations, with about 28,700 openings a year on average over that span, many from replacing workers who retire or change occupations.
BLS also expects some routine legal work to be automated but does not expect that to reduce overall demand for lawyers.
For the profession-wide outlook in depth, see our attorney job outlook article — this page stays on what the specialty can and cannot claim from the same data.
The entry-level market the Class of 2025 graduated into was strong by NALP's measures: 92.8% of graduates were employed about ten months after graduation, the second-highest rate on record, and 84.6% held jobs requiring or anticipating bar admission — the highest share since NALP's current job classifications began in 2001.
BLS doesn't track pay for the specialty either.
Its median annual wage for lawyers was $159,670 in May 2025 (SOC 23-1011) — a figure that excludes self-employed lawyers and owners and partners of unincorporated businesses, so it describes neither solo nor partner income.
The lowest 10% earned under $78,360 and the highest 10% over $351,600.
By sector, BLS's May 2025 medians were $178,380 in federal government, $157,870 in legal services, $131,390 in local government and $115,330 in state government.
NALP's starting-salary series is separate: the Class of 2025 national median starting salary was a record $100,000, and the private-practice median was $155,000, with firm-size medians ranging from $84,000 at 1–10-lawyer firms to $225,000 at 500+ firms.
All of these figures describe lawyers as an occupation, not entertainment specialists.
Where to find entertainment attorney jobs
Start wide: browse attorney jobs on LawFirmHires to see current openings across employers, search more than one title, and read each posting against the employer types in this page's second section — whether a seat sits in a firm, an in-house team or a public-sector office, and how much of it is deal work, tells you what you would actually be doing.
For the general path this page specializes — college through law school, the bar and a first legal job, in order — see how to become a lawyer.
Career information, not legal advice. The licensing and pay figures here are occupation-level summaries; confirm current bar admission requirements with the bar admission authority in your state.